The story appears simple on the surface, but is revealed, especially after multiple viewings, as more multi-layered and textured than Cassavetes at his best. Ostensibly it concerns a 14-year old Catholic girl, Wynne (Agutter) growing up in this post-modern wasteland, who develops a crush on her much older adoptive brother (Marshall)- a crush which perversely deepens and grows into infatuation once she starts to believe he is the local sex killer. This is in itself an idea that makes you sit up and jolt, but as the narrative develops, it continues not necessarily along a linear path but in several confusing and fascinating directions: the family's history, (detailed effectively in chilling flashback during an improvised seance) is a chequered one, and has suffered at least one major relocation and upheaval in the last ten years. At the crux, however, it's the depiction of socialal changes that make I Start Counting so fascinating and elevate its language far beyond the confines of the standard horror film. The major subtext- that teenage girls were maturing more quickly than before, and developing full sexual and romantic appetites (even if in thought rather than deed) but were not possessed of enough discretion to make the right choices- was a step forward for a genre in which its young females had previously been portrayed as bimbo victims (Cover Girl Killer and The Night Caller spring to mind), but not one that all viewers would necessarily agree with. But most striking of all, and possibly the most enduring image which the viewer will take away with them, is of the masterful symbolism with which director Greene invests every shot. Every inch of the Kinch family's world- their house, their walls, their TV, Agutters underwear, bedroom furniture and toys, Sutcliffe's clothes, Marshalls van, the local Catholic church, their town centre, their record shop) - is painted a bright, scintillating white- a white which, by inference, is slowly becoming smudged and corrupted with the dirt of the outside world. White also symbolises, of course, purity and innocence (two qualities Catholic schoolgirls are supposed to hold dear), and it is into this world of innocence that the ever-present red bus (a symbol of violation and penetration), conducted by the lecherous yet similarly juvenile Simon Ward, makes regular journeys. The allegory is further expanded in one scene where Agutter believes she sees the Christ figure in church weeping blood: by the time we acknowledge it, its gone, but the seed has already been planted. Rarely in a genre production has the use of colour and background been so important or effective in creating a uniformity of mood. I Start Counting is as near-perfect an end to a decade as one could hope for, and exactly the kind of film people should be making now- which is, of course, exactly why they never will. A genre essential. by D.R. 

In Flight centers on Claire Reynolds, an overachiever who graduated at the top of her class and an all-star athlete. The night before she takes a dream trip to Paris, her best friend treats her to a bon voyage toast at their favorite bar. She catches the eye of Marco (Fernández) a mysterious, charming and handsome stranger. That’s the last thing she remembers before waking up o...

An ex-con gets released early from prison only to be forced into an undercover unit of six men and on his first day the other five are all killed. Now he must go face-to-face with the men who he was tasked to spy on, not knowing if they know who he really is.

　　在5×01《Gap Year》中，Dre和Bow将Junior送到华盛顿的霍华德大学后不久，Junior突然回家宣布自己将休学一年（或者说「间隔年」），这让他们感觉十分担心。Junior整天无所事事，于是Dre强迫他到广告公司和自己一起工作。Junior居然取得了一定程度的成功，这让他对大学的信念开始动摇：我真的有必要去上大学吗？与此同时，双胞胎Jack和Diane产生一个疑问……他们是否该继续共处一室？他们现在是中学生（七年级）了，但他们的社会地位和以前完全不一样。Bo在她那个疯狂的工作场所交了一些新朋友，甚至是铁杆盟友。　　第五季的故事时间向前跳跃了三个月，Dre和Bow不仅挽救了婚姻，而且现在过得还不错。　　本季会有另一个警察主题集，如同2016年《Hope》这集。虽然这集的内容不一定涉及白人警察对黑人平民滥用暴力，但是这集肯定会说黑人内部的矛盾心态——Andre试图向警方举报社区出租屋内可能存在的不法行为，但他的街坊邻里都是黑人，这让他心态复杂。　　11月13日的新集将是该剧第100集，制片人承诺这集会给观众留下深刻印象。他们将进行另一次大胆尝试，就像第四季首集的做法。根据已知消息，这集将向传奇音乐人Prince致敬，感谢他对剧中Johnson一家的重要影响。这集会有大篇幅的音乐剧元素，Prince的经典歌曲《Kiss》、《When Doves Cry》、《Let’s Go Crazy》将以某种形式出现在剧中。

　　Tiny House Nation takes renovation experts John Weisbarth and Zack Giffin across America to help design and construct tiny dream homes in spaces under 500 square feet. Tiny House Nation proves size doesn't matter, it's creative that counts!

　　Netflix宣布其首部自家制片的多镜头新喜剧﹑以青少年为目标的《Alexa & Katie》13集首季于美国时间3月23日上线，该喜剧由Paris Berelc及Isabel May主演。　　《Alexa & Katie》由Heather Wordham主创﹑Matthew Carlson负责制片，讲述两个长年好友Alexa（Paris Berelc）及Katie（Isabel May），她们正热切期待成为高校新生，但一些风波弄得她们自觉成了圈外人，然而重要的是好友还在身边。Alexa目前正在接受化疗，但这没动摇她外向的性格及对生活的热情，而Katie是个忠于朋友﹑性格古怪的可爱女生。

　　After an embarrassing and meijubar.net public breakdown, Detective Aidan Black (David Sutcliffe) is reassigned from his beloved SWAT team to the newly created Psych Crimes and Crisis Unit. There, he's dismayed to find his partner is not another cop, but forensic psychiatrist, Dr. Daniella Ridley (Stefanie von Pfetten). The unit also includes Detective Poppy Wisnefski (Luisa d'Oliveira) and psychiatric nurse Leo Beckett (Dayo Ade), with Inspector Diane Caligra (Karen LeBlanc) keeping a close watch over the unique partnerships. Passionate and opposing viewpoints are an inherent part of the job in Psych Crimes, and the answers the teams seek never come easy. Aidan's deep insight and investigative skills combine brilliantly with Daniella's keen ability to decipher human behaviour. Learning to work cohesively, the Psych Crimes and Crisis Unit investigates city's most troubling and psychologically complex crimes. Whether or not the unit is still around in a few months...

　　从令人费解的街头花招到精心策划的巧妙戏法，贾斯汀·威尔曼将善意的魔术与成年人的欢笑融合在了一起。

在金矿小镇红岭，一名心怀鬼胎的警长和他的副警长与不法之徒搏斗，造成小镇的混乱，小镇也逐渐衰落。

　　莱斯·诺顿（Les Norton）跟随一个逃脱困境的乡村男孩的踪迹，该男孩在悉尼找到自己，并于1985年在该市最臭名昭著的非法赌场当保镖/修理工。他很快就发现自己被水吸引了，m.77mi.cc这是一条经典的鱼类。 城市的非法魅力，并将其进一步拖入地下犯罪网络。　　该剧集设定于1985年，紧跟昆士兰内陆地区的乡村佬Les Norton。 在过去的困境中，他吹向悉尼，在那里他在国王十字区一个臭名昭著的非法赌场找到了一名保镖的工作。 他迫不及待地想要回家，他是一条垂死的经典鱼类，很快就发现自己被这座城市的非法魅力所吸引，并被拖入地下犯罪网络。 根据罗伯特·巴雷特（Robert G. Barrett）的畅销小说改编。